Cherry Blossom in March

I took these photos on the road outside my house, the blossom against vivid blue sky transformed an ordinary London street with the first hint of summer.

 

Review: The Imperial War Museum

The Imperial War Museum is a stellar attraction for all mums wanting to entertain young boys on a rainy afternoon, as my friend and I discovered when we visited during half term. Huge cannons announce the museum and hint to what lies ahead. Whole fighter jets hang imposingly from the ceiling, stripped back to reveal engines, tanks encroach upon the floor and rear up, their steel sides replace by plastic sheets to allow the viewer a peek into the cramped driving conditions.

               

At every angle planes, trains, jeeps, submarines and even unexploded bomb shells sit, inviting further inspection. Despite the macabre purpose of these machines of war, removed from the battle field they become less threatening. We almost forgot the violent intent with which they were built and instead admired the sheer scale and impressive beauty of their design. 

                

Beyond this metallic menagerie, and in contrast to the cavernous entrance space, lies a maze of corridors and smaller exhibitions cataloguing the major English wars of the twentieth-century.  Interactive learning is the order of the day with a re-enactment of the ‘Blitz experience’. Amazingly ‘The Children’s War’ exhibition contained a walk-through, full size replica of a 1940’s house, complete with two floors, garish wallpaper and a vintage outfit laid out on the bed. It even had its own post-box outside the stained glass front door, and an old fashioned pram you could try out for size.

In many of the galleries the putrid, somewhat off-putting, smell of war hung in the air. However, the queasy smell was this was the only problem I could find with an otherwise fantastic display of war time costumes and objects carefully designed to engage both children and adults alike.

'Shadow Catchers: Camera-less Photography' at the V&A Museum

Susan Derges 'Arch 4 (Summer)'

I loved every part of this exhibition, which I visited at the V&A a few weeks ago. The artists whose work it features reclaim and re-invent old photographic techniques to striking effect.

Eschewing the software of the modern digital era, and even the use of a camera, they take a hands-on approach which forces them to engage with their environment on a basic physical level. They cast light and shadow directly onto chemically treated surfaces. This is what, in addition to the unexpected beauty of the images they produce, makes this exhibition unique.

Susan Derges literally waded into a river in the middle of night, held photographic paper below the ripples and used lightening flashes to imprint their wavering forms upon it.

 

Floris Neusüss 'Untitled'

In Floris Neususs's work hazy figures loom from gloomy backgrounds like half-recalled memories. Their silhouetted shape strike a familiar cord with the viewer, yet the lack of detail and fuzzy edges transform the figures into something more mysterious. It imbues them with an eerie, ethereal quality.

At its heart this work is an exploration of light, its tones, depths and many shades. And what it is to be an artist working directly with the canvas.

Tranquillity in ‘The Peggy Guggenheim’, Venice: A treasure trove of modern art

Slightly away from St Marks Square and the swarm of tourists ‘The Peggy Guggenheim Collection’ offers a haven of twentieth-century art, tranquility and stunning views of the Grand Canal. Nestled among the artsy buildings of the Dorsoduro quarter, it is a relief just to get away from other people and enjoy the winding streets to yourself. 

A glimpse of the canal down a side alley (upside down).

Walking in through the light stone gateway I was immediately charmed. Peggy was a lifetime collector of some of the greatest modern and post-modern artists of her time. In this collection Expressionist pieces by Kandinsky jostle for wall space with the Cubist offerings of Picasso and the bright Surrealist paintings of Klee. Pollock’s ‘Eyes in the Heat’ grabs the viewer immediately with its playful coloured lines, swirling care-free across the canvas and filling it with restless energy. 

Outside avant-garde sculptures recline comfortably in the green, well kept gardens walled in soothing grey slate. 

The atmosphere is what really makes this gallery for me; light, airy and empty. I could admire the art works at my own pace, and escape the cacophony of accents which assaulted me at every turn of the cramped streets outside. 

A common sight. Washing strung up between houses in the narrow alleyways.

Check out the online gallery here.

Photographs of Corfu